The Absence of Colour

One of the most exciting times of being a landscape photographer is during sunrise and sunset at an awesome location, when the sky has the potential to erupt in magnificent colour.  You just cant wait to get home, download the images, relive the adrenalin and hope it matches what you felt and saw.

Once the romance of the colour explosion is over, the images can be viewed objectively.   I like to take a few weeks to do this, because sometimes little gems will appear and outshine the diamonds which jump out during the first cut of processing.

I like to look carefully at the structure and lines of the landscape that I had chosen to frame at the time of capture.  Sometimes I am disappointed with my efforts, but I know I did the best I could at the time with my ‘seeing eye’, and I always try to learn from opportunities missed.

I am a big fan of black and white images and absolutely adore the work of Michael Kenna and Clyde Butcher and truly believe the essence of the landscape can sometimes be enjoyed more, once colour is removed from the image.  A black and white image of a landscape reduces it to its purest form of shape, structure and texture.  It then becomes an interpretation of reality by the artist.

On my recent trip to Haast Beach in New Zealand, the colours which presented in the sky, were singing right off the richter scale!   Now that I have had time to sit and ponder these images, I have processed a selection of seascapes in black and white. 

I am enjoying these images now, more so than at the time of capture when the colour fuzzed up my brain and there was little opportunity to savour the beauty of the moment due to the fast changing epic light.

I hope you enjoy them too.

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“Ocean Edge”       © Sue Thomson 2014

Retreat

“Retreat”       © Sue Thomson 2014

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“Ten Seconds”       © Sue Thomson 2014

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“Spill”       © Sue Thomson 2014

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“Haast Beach”       © Sue Thomson 2014

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